How do we define an impression when its permanence is momentary ?
‘in the morning we watch the seeds grow.’ explores human presence and absence and its potential implications on the natural environment. The intention behind the exhibited works is to question relational perceptions held with space; both in terms of the natural and the manufactured. As we interfere with objects and site, even if previously untouched, there is a bond tethered between the two, sometimes ignored but never unseen.
